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Posted By: Admin on Friday, April 12, 2013

Easy Drumming That Sounds Hard

Posted By: Admin on Friday, January 18, 2013

Easy Drumming That Sounds Hard

Adding drum fills to your playing and doing it with confidence can be quite difficult at times. Timing and creativity issues are sure to arise at a given point, whether you’re practicing new drum fills or trying out some of your own creations. To help you improve your ability to play drum fills we came up with this cool, free drum play-along. This is a great free drum play-along to practice any drum fill you like, especially those that are one-bar in length. More »

Posted By: Admin on Tuesday, January 15, 2013

Easy Drumming That Sounds Hard

Since most drummers’ lead hand and foot are on the same side of the body, playing different patterns between them is the first big issue beginner drummers usually face when first starting out. Having gone through this issue himself, Jared Falk knows as much about how frustrating this can be as how to overcome it. If you’re a beginner drummer facing independence issues, you’re in luck. More »

Posted By: Admin on Thursday, December 27, 2012

The triple paradiddle expands on the single paradiddle by adding two sets of singles to its basic shape. Since the single paradiddle is one of the drum rudiments that’s most used for drum set applications, practicing the triple paradiddle will empower you with loads of new options when it comes to creating new ideas based on the single paradiddle. More »

Posted By: Admin on Tuesday, December 18, 2012

Easy Drumming That Sounds Hard

In this drumeo free drum lesson, Sean Browne, Yamaha Drums Canada rep, takes you through some of the coolest features the brand new Yamaha flagship electronic-drum system, the Yamaha DTX-950K, has to offer. More »

Posted By: Admin on Tuesday, December 11, 2012

Easy Drumming That Sounds Hard

In this free drumeo edge drum lesson, Larnell Lewis takes you through some of the main aspects to consider when developing a swing feel on the drums for playing rhythm and blues (R&B): funk, soul, gospel, and hip-hop, authentically. More »

Posted By: Admin on Wednesday, October 17, 2012

Easy Drumming That Sounds Hard

Most free drum lessons on drum independence we’ve posted on DrumLessons.com focus almost exclusively on hi-hat foot independence and bass-drum foot independence. Working on hi-hat foot independence and bass drum independence is something you should definitely strive for, in order to acquire a higher level of drumming prowess. However, a certain level of hand independence needs to be developed for you to become a complete drum-set player. More »

Posted By: Admin on Friday, September 28, 2012

Easy Drumming That Sounds Hard

Here at DrumLessons.com we have a huge collection of free drum lessons on linear drumming. The content from those free drum lessons is mostly written down in the form of various linear-pattern combinations. This is a very effective method for teaching linear drumming but lacks in improving your improvisational and musical skills within this drumming topic. In this free drum lessons, Jared Falk addresses those shortcomings by teaching a method for improving your improvisational skills and freeing up your body and mind when playing linear patterns. More »

Posted By: Admin on Friday, September 21, 2012

The drag ruff is one of the 40 international drum rudiments. It’s also one of the seven essential drum rudiments, alongside the single stroke roll, the double stroke roll, the multiple bounce roll, the five stroke roll, the single paradiddle and the flam. It’s very important you become competent with at least these seven drum rudiments, since they’re heavily used in music and any other rudiment is based on them. In this lesson we’ll focus our attention on the drag ruff and how you can use it to spice up your drum fills. More »

Posted By: Admin on Tuesday, September 11, 2012

Easy Drumming That Sounds Hard

The left foot, also known as the forgotten limb, is a limb many drummers don’t spend enough time practicing with. This results in poor left foot independence, limb interdependence, strength and control. It also hinders one’s ability to use it effectively as a time-keeper or when playing double bass. Being competent with only three of your four limbs limits your musical pallet and expressiveness. More »